Episode 244 – Nicholas Delbanco
Episode 240 – John Crowley and Michael Meyer
Episode 235 – Liz Hand and John Clute
Virtual Memories Show 235:
Liz Hand and John Clute
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“I think of a collector as a gardener, rather than someone who just buys books. Like gardeners, they do a lot of murdering. They cull books.”
It’s another Readercon episode! First, Liz Hand rejoins the show for a little conversation about what she’s been reading lately (it’s some creepy stuff, of course), the regenerative aspects of Readercon, why the novella is ideal for dark/spooky fiction, and whether the attendee wearing an ASIA t-shirt is doing so ironically. Then John Clute talks about the ruins of futurity and the launch of the Clute Science Fiction Library at Telluride Institute. We get into the need for visual presentation and accessibility of original books in their context (including dust jackets), his transition from book accumulator to collector, the externalization of one’s mind into one’s library, why he doesn’t write fiction, the Easter eggs he sneaks into the Science Fiction Encyclopedia, why Galaxy Quest is the best Star Trek movie (except for Wrath of Khan), reaching a uniform degree of incompletion, generational shifts in SF/F, and the sneaky adoption of Fantastika. Give it a listen! And go buy Liz Hand’s new collection, Fire., and her Cass Neary novels: Generation Loss
, Available Dark
, and Hard Light
!
“Most scholars, academic institutions, libraries are not interested in context. In that sense, the Science Fiction Library at Telluride is transgressive.”
Enjoy the conversation! Then check out the archives for more great episodes!
Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!
About our Guests
Elizabeth Hand flunked out of college a couple of years after seeing Patti Smith perform and became involved in the nascent punk scenes in DC and New York. From 1979 to 1986 she worked at the Smithsonian’s National Air and Space Museum. She was eventually readmitted to university to study cultural anthropology and received her BA. She is the author of many novels, including The Winterlong Trilogy, Waking the Moon
, Glimmering
, Mortal Love
, Illyria
, and Radiant Days
, and the Cass Neary novels, Generation Loss
, Available Dark
, and Hard Light
, as well as three collections of stories, including Saffron and Brimstone
. Her fiction has received the Nebula, World Fantasy, Mythopoeic, Tiptree, and International Horror Guild Awards, and her novels have been chosen as notable books by both The New York Times and The Washington Post. She has also been awarded a Maine Arts Commission Fellowship. A regular contributor to The Washington Post Book World and the Magazine of Fantasy and Science Fiction, she lives with her family on the coast of Maine.
John Clute is a multiple Hugo Award and World Fantasy Award winner and Visiting Fellow at Anglia Ruskin University in Cambridge, England. He is perhaps best known for his editorship, with David Langford, and others, of the Encyclopedia of Science Fiction (sf-encyclopedia.com). As an illustrious and prolific reviewer and essayist, he has profoundly influenced science fiction writing in his time.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Marriott in Quincy, MA during Readercon on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5
digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone
feeding into a Cloudlifter CL-1
and a Mackie Onyx Blackjack 2×2 USB Recording Interface
. All processing and editing done in Adobe Audition CC
. Photo of Liz Hand and John Clute in the Soundcloud by Scott Edelman; not sure who the other/younger one is by. Either way, they’re not on my instagram.
Episode 232 – Gordon Van Gelder
Virtual Memories Show 232:
Gordon Van Gelder
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“For years, my basic rejection letter would use ‘alas,’ and the SF community picked up on that and started calling them ‘alas-o-grams.'”
Editor/publisher Gordon Van Gelder joins the show to talk about his career in the science fiction and fantasy fields. We get into publishing F&SF Magazine, coping with burnout, balancing the demands of art and business, exploring the differences between editing for magazines vs. anthologies, trying to avoid disruption, handling diversity issues without implementing a quota, figuring out the dystopian theme of his current run of anthologies, dealing with the cultural, um, norms of stories of past decades, avoiding the perils of chasing “name” authors and rejecting a story by Ray Bradbury, making the shift from print to online, watching new writers develop a strong voice, working with the necessary egotism of writers, explaining how the internet has wrecked SF/F criticism, and more! Give it a listen! And go buy his new anthology, Go Forth And Multiply: Twelve Tales of Repopulation (Ramble House)!
“The best stories transcend race and gender. . . . On the page, everyone is black and white.”
Enjoy the conversation! Then check out the archives for more great episodes!
Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!
About our Guest
Gordon Van Gelder published his first story in 100 Great Fantasy Short, Short Stories in 1984 but the majority of his career has been spent as an editor. After a brief internship at Bluejay Books in 1986, he began working at St. Martin’s Press in July 1988. He worked there for 12 years, during which time he worked with such authors as J. G. Ballard, Jack Cady, Bradley Denton, George Pelecanos, and Kate Wilhelm. In 1997, he succeeded Kristine Kathryn Rusch as editor of The Magazine of Fantasy & Science Fiction. He spent 18 years as the magazine’s editor before handing the reins to C. C. Finlay at the start of 2015. He lives in New Jersey with his family and continues to publish F&SF.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Boston Marriott Quincy during Readercon weekend on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5
digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone
feeding into a Cloudlifter CL-1
and a Mackie Onyx Blackjack 2×2 USB Recording Interface
. All processing and editing done in Adobe Audition CC
. Photo of GVG in a tie, by Leslie Howle, and photo of GVG in a blue Yankees t-shirt, by Al Bogdan, so they’re not on my instagram.
Episode 229 – Matt Ruff
Virtual Memories Show 229: Matt Ruff
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“Every one of my novels has had at least a portion where I’ve thought, ‘if I do this badly, it’s going to be terribly embarrassing and I’m going to have to hang my head in shame forever, but if I pull it off, it’ll probably be pretty cool!'”
Novelist Matt Ruff joins the show to talk about how his fantastic novel Lovecraft Country began as a TV pitch 10 years ago, and is now on its way to becoming an HBO series. We get into cultural appropriation issues (Matt’s white and LC‘s about a black family dealing with racism and the supernatural in 1950s Chicago), the pros and cons of genre-hopping, the differences between mid-century racism in the North and the South, growing up over the course of his first three novels and learning to be happy with his voice, becoming friends with one of his favorite authors (past and future pod-guest John Crowley), his ambivalence toward HP Lovecraft and Philip K. Dick and his affinity for their imitators, why he loved the descriptions of late Heinlein novels but was disappointed by the books themselves (when he was 12!), bucking his family’s religious traditions, missing his opportunity to babysit Thomas Pynchon’s kid, and more! Give it a listen! And go buy Lovecraft Country!
“I intended for Lovecraft Country to be a TV series, so I thought, ‘What if I do the literary equivalent of a season that you binge-watch?’ That’s why the novel is structured very much like an 8-episode TV season.”
Enjoy the conversation! Then check out the archives for more great episodes!
Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!
About our Guest
Matt Ruff is the author of the novels Fool on The Hill (1988), Sewer, Gas & Electric: The Public Works Trilogy (1997), Set This House in Order: A Romance of Souls (2003), Bad Monkeys (2007), The Mirage (2012), and Lovecraft Country (2016), which was recently greenlit as an HBO series.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Mr. Ruff’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5
digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone
feeding into a Cloudlifter CL-1
and a Mackie Onyx Blackjack 2×2 USB Recording Interface
. All processing and editing done in Adobe Audition CC
. Photo of Mr. Ruff by me. It’s on my instagram.
Readercon pre-game
Getting ready for Readercon 2017? Then check out my podcasts with some of this year’s guests:
- Samuel R. Delany • mp3
- John Clute 1 • mp3
- John Clute 2 • mp3
- Liz Hand 1 • mp3
- Liz Hand 2 (brief) • mp3
- Michael Dirda 1 • mp3
- Michael Dirda 2 • mp3
- Michael Dirda 3 • mp3
- Scott Edelman • mp3
- John Crowley • mp3
- Theodora Goss • mp3 (I think she’ll be there)
Seeya there!
Episode 182 – Virginia Heffernan
Virtual Memories Show #182: Virginia Heffernan
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“It’s very, very weird to do something along with three billion other people.”
Cultural critic Virginia Heffernan joins the show to talk about her new book, Magic and Loss: The Internet as Art (Simon & Schuster)! We talk about what’s behind the screen, why the internet is bigger than the Industrial Revolution, her first experience online in 1979, what it’s like to be in a piece of performance art with half the world’s population, her crushing defeat at meeting Joan Didion, why she’s nostalgic for landline phones, the motive motive of Pokemon Go, asking The New York Times to host a shred-guitar competition, and why there’s value in Reading The Comments! Give it a listen! And buy Magic and Loss
!
“The Magic is the part of the internet that is delightful, that moves you to a new space, that is the Mystery of existence. The Loss is that sick feeling you have when you’ve been online all the time.”
We also get into the karmic hassle of filing expense reports, the necessity of having an online avatar, balancing her virtual and physical presences, the Talmudic ferocity of language-correctors online, the long history of selfies, what goes wrong every time she tries to write fiction, being a fiction fact-checker for The New Yorker, why people should read upthread, and the miracle of her author picture and the uncanny valley. Now go listen to the show!
“Absolute banality is not good, but babbling eccentricity is dangerous, too.”
Enjoy the conversation! Then check out the archives for more great episodes! You might like:
Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!
About our Guest
Virginia Heffernan (a.k.a. @page88) is a journalist, critic and author, most recently, of Magic and Loss: The Internet as Art (Simon & Schuster, 2016). Heffernan has been called “America’s preeminent cultural critic,” “a public intellectual for the 21st century,” and among the “finest living writers of English prose.” Edward Mendelson in The New York Review of Books called Magic and Loss, “surprisingly moving…an ecstatic narrative of submission.” Kevin Kelly, the co-founder of WIRED, writes, “Heffernan is a new species of wizard. It is a joy and a revelation to be under her spell.”
From 2008 to 2012, Heffernan wrote “The Medium,” a weekly column about Internet culture, for The New York Times Magazine. Before introducing the column, Heffernan spent four years as a television critic at the daily New York Times, where, in addition to writing reviews and features, she chronicled the convergence of television and the Internet. In 2002, she received a Ph.D. in English and American literature from Harvard, where her dissertation was on financial dynamics in American novels. Before that, she served as articles editor at Talk Magazine, senior editor at Harper’s Magazine, and television critic for Slate. From 2012 to 2014, she was the national correspondent at Yahoo! News. From 2015-2016, she was a Visiting Scholar in the department of Media, Culture and Communications at NYU, and editorial director of West, a venture-capital firm in San Francisco. She still consults with VCs and startups.
Heffernan has also written for The New Yorker, Mother Jones, New York Magazine, Salon, MTV, Politico, VICE, WIRED, The Wall Street Journal, Marie Claire, Glamour, The Message, Matter, and many other publications. She has appeared on The Open Mind, 20/20, CNBC, MSNBC, and regularly on NPR. As an academic and a journalist, Heffernan has lectured and keynoted at Google, The Library of Congress, The New York Public Library, Princeton, Dartmouth, Ohio University, Harvard, Union College, NYU, The Savannah College of Art and Design, The National Gallery of the Arts, and Boston College, among many other institutions, universities, and corporations. Her essays have been widely anthologized, including in Extreme Exposure (1999), Unholy Ghost
(2002), and Prime Times (2004), Is the Internet Changing the Way You Think?: The Net’s Impact on Our Minds and Future
(2014), What to Think About Machines That Think: Today’s Leading Thinkers on the Age of Machine Intelligence
(2015). In 2005, Heffernan (with co-writer Mike Albo) published the comic novel, The Underminer
(Bloomsbury).
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded Ms. Heffernan’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5
digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone
feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface
. Photo of Ms. Heffernan by Francis Hill.
Episode 151 – Harold Bloom
Episode 148 – The Guest List 2015
Virtual Memories Show: The Guest List 2015
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It’s time for our year-end Virtual Memories tradition: The Guest List! I reached out to 2015’s podcast guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2016! More than 30 responded with a dizzying array of books. (I participated, too!) So now that you’ve got your Hanukkah and/or Christmas gelt, the Virtual Memories Show offers up a huge list of books that you’re going to want to read! Get ready to update your wish lists!
This year’s Guest List episode features selections from nearly 3 dozen of our recent guests! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.
(Also, check out the 2013 and 2014 editions of The Guest List for more great book ideas!)

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Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!
About our Guests
The guests who participated in this year’s Guest List are Derf Backderf, Anthea Bell, John Clute, Michael Dirda, Matt Farber, Jonathan Galassi, Brad Gooch, Langdon Hammer, Liz Hand, Jennifer Hayden, Ron Hogan, Dylan Horrocks, David Jaher, Kathe Koja, Jonathan Kranz, Peter Kuper, Lorenzo Mattotti, JD McClatchy, Scott McCloud, Michael Meyer, Dan Perkins (a.k.a. Tom Tomorrow), Summer Pierre, Witold Rybczynski, Dmitry Samarov, Elizabeth Samet, Liesl Schillinger, Posy Simmonds, Levi Stahl, Rupert Thomson, Irvine Welsh, Warren Woodfin, Jim Woodring, Claudia Young, and me, Gil Roth! Check out their episodes at our archives!
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. Most of the episode was recorded at Virtual Memories Manor on a Blue Yeti USB Microphone. A few segments were recorded by the guests and e-mailed in (which is to say: don’t blame me!). Processing was done in Audacity and Logic Pro.



