Episode 501 – William Deresiewicz
Episode 354 – Peter Kuper
Episode 313 – Nathan Englander
Episode 303 – Peter Kuper
Episode 218 – RO Blechman
Virtual Memories Show 218: RO Blechman
Podcast: Play in new window | Download
Subscribe: Spotify | TuneIn | RSS | More
“Time may have taught me things, but I don’t think I learned anything.”
Legendary cartoonist, illustrator, animator, ad-man, artist RO Blechman joins the show to talk about his work and life. We get into the importance of play, the development of his trademark squiggly line (and how he feels when he sees it in other people’s work), his literary upbringing, his News of the Weak series of painting/collages, why he counsels against going to art school, the fateful career decision that he rues 60+ years later, his Mad Men experience and what he learned about management from running his own animation studio, the mistake of turning down a Curious George movie, creating a fore-runner of the graphic novel, and being a 2-D character in a 3-D world. Give it a listen! And go buy all his books, including Dear James: Letters to a Young Illustrator
“I really should have been a filmmaker. I really screwed up my life in a terrible way, because I had a chance to be a full-time filmmaker and I threw it away, and it just kills me.”
Enjoy the conversation! Then check out the archives for more great episodes!
Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!
About our Guest
Born Oscar Robert Blechman in 1930, RO Blechman‘s internationally acclaimed artwork spans decades, mediums, and industries. He is one of the first contemporary cartoonists to pen a full-length graphic novel with The Juggler of Our Lady
Here’s a bio of him that Edward Sorel wrote in 1999. His own version is at his site.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Mr. Blechman’s farm on a pair of Blue enCORE 200 Microphones
Episode 214 – Wallis Wilde-Menozzi
Virtual Memories Show 214: Wallis Wilde-Menozzi
Podcast: Play in new window | Download
Subscribe: Spotify | TuneIn | RSS | More
“We’re shoulder to shoulder with a lot of people, and we assume we know them in a way that we don’t, but we don’t assume that we don’t know them in the way that we should.”
Poet, novelist and essayist Wallis Wilde-Menozzi returns to the show to talk about her novel, Toscanelli’s Ray, the ways Italy has changed in her four decades there, her recent work in narrative medicine, survival tips from living through the Berlusconi era, writing a polyphonic novel of Florence in the ’90s and hearing how those voices have changed, differences between her Italian and American students, balancing poetry and prose, her favorite book of the Divine Comedy (we also get into why I like a different one), accidentally winning a DAR award when she was a schoolgirl, what foods she misses when she’s in the US, thinking in Italian, and more! Give it a listen! And go buy Toscanelli’s Ray
“To be a writer, you have to write something that in a way no one else could write.”
Enjoy the conversation! Then check out the archives for more great episodes!
Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!
About our Guest
Poet and writer Wallis Wilde-Menozzi grew up in Wisconsin and resides in Parma, Italy, where she has participated in Italian life for more than 30 years. Her memoir, Mother Tongue: An American Life in Italy
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Ms. Wilde-Menozzi’s apartment on a pair of Blue enCORE 200 Microphones
Episode 127 – The Meandering Reflections of a Literary Sybarite
Virtual Memories Show #127:
Michael Dirda – The Meandering Reflections of a Literary Sybarite
Podcast: Play in new window | Download
Subscribe: Spotify | TuneIn | RSS | More
“I enjoy going back to Lorain, Ohio because I’m reminded that the world of Washington and the East Coast literary establishment is a very narrow, special one that’s parochial in its own way. The rest of the world has other concerns: family, job and life in general. Whereas we get all up in arms about very minor things.”
Pulitzer Prize-winning book reviewer Michael Dirda rejoins the show to talk about his new collection, Browsings: A Year of Reading, Collecting, and Living with Books
“The books that you don’t grasp immediately, the ones that leave you off-kilter . . . those are often the books that really last, and matter.”
Our first three-time guest also talks about the democratization of book reviewing, the problems of storing books in his basement, what he wants an author to think upon reading his book review of a book, his affinity for Clive James’ work, whether his reviews have a coded autobiographical element to them, how the limitations of the book review form shaped his style, why he disagrees with John Clute’s philosophy on spoilers, and more!
Podcast: Play in new window | Download
Subscribe: Spotify | TuneIn | RSS | More
We talk about a lot of books in this episode. Here’s a list of ’em (Note: if I ever go to a Patreon crowdfunding model for the show, this is the first thing that goes subscriber-only):
- Little Big Man
– Thomas Berger
- Suspects
– Thomas Berger
- The Creators: A History of Heroes of the Imagination
– Daniel Boorstin
- The Discoverers
– Daniel Boorstin
- Heart of Darkness
– Joseph Conrad
- The Unquiet Grave: A Word Cycle by Palinurus
– Cyril Connolly
- The Moving Toyshop
– Edmund Crispin
- Browsings: A Year of Reading, Collecting, and Living with Books
- Readings: Essays and Literary Entertainments
– Michael Dirda
- On Conan Doyle: Or, The Whole Art of Storytelling
– Michael Dirda
- The Robe
– Lloyd C. Douglas
- The New Lifetime Reading Plan: The Classical Guide to World Literature, Revised and Expanded
– Clifton Fadiman
- Party of One
– Clifton Fadiman
- Enter Conversing
– Clifton Fadiman
- The Recognitions
– William Gaddis
- Muse: A novel
– Jonathan Galassi
- The Green Carnation
– Robert Hichens
- The Odyssey
– Homer
- Appleby’s End
– Michael Innes
- Cultural Amnesia: Necessary Memories from History and the Arts
– Clive James
- Kim
– Rudyard Kipling
- Zorba the Greek
– Nikos Kazantzakis
- Dazzle
– Judith Krantz
- V R Lang: Poems & Plays with a Memoir
– Alison Lurie
- Extraordinary Popular Delusions and The Madness of Crowds
– Charles Mackay
- Bright Lights, Big City
– Jay McInerney
- The Scarlet Pimpernel
– Baroness Orczy
- Atlas Shrugged
– Ayn Rand
- Burning the Days: Recollection
– James Salter
- Memorable Days: The Selected Letters of James Salter and Robert Phelps
- Anathem
– Neal Stephenson
- Walden
– Thoreau
- Stoner
– John Williams
- On Writing Well
– William Zinsser
Enjoy the conversation! Then check out the archives for more great episodes! You might like:
- Michael Dirda, part 1 and part 2
- Clive James
- John Crowley, Scott Edelman
- Frank Wilson
- Jessa Crispin
Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!
About our Guest
Michael Dirda is a weekly book columnist for The Washington Post, and he received the 1993 Pulitzer Prize for criticism. He is the author of the memoir, An Open Book: Chapters fom a Reader’s Life
Credits: This episode’s music is Ah, Putrefaction by Jaristo, from Hans Zimmer’s film music for Sherlock Holmes. The conversation was recorded at the Boston Marriott Burlington on a pair of Blue enCORE 200 microphones
Episode 124 – Don’t Fall
Virtual Memories Show #124:
Jonathan David Kranz – Don’t Fall
Podcast: Play in new window | Download
Subscribe: Spotify | TuneIn | RSS | More
“I feel some frustration with contemporary literary fiction: there’s stuff that’s well written without really being good writing. Lovely prose, but stories that feel flat and empty.”
Jonathan David Kranz joins the show to talk about his new novel, Our Brothers at the Bottom of the Bottom of the Sea
“New Jersey has two urban centers: New York and Philadelphia. And what they have in common is that neither one is in New Jersey.”
We also compare our New Jerseys (I go on at length; sorry), then talk about his history with the Society for Industrial Archeology, what it’s like to celebrate 20 years as a freelance commercial copywriter (and it is cause to celebrate), and what it was like when he came face to face with the Jungian nature of Tillie the clown.
Podcast: Play in new window | Download
Subscribe: Spotify | TuneIn | RSS | More
Enjoy the conversation! Then check out the archives for more great episodes! You might like:
Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!
About our Guest
On his blog
, Jonathan David Kranz writes, “I was born on an island, Manhattan, but grew up in New Jersey, where I did not go to the beach as often as I would have liked. I studied painting in college (Rutgers), then framed pictures, installed kitchen cabinets, and worked as a backstage theater go-fer before pursuing my MFA in creative writing. True to form, I bummed around again—this time with a family in tow, making my living as a marketing copywriter—before a vacation in Ocean City gave me the inspiration for my first novel, Our Brothers at the Bottom of the Bottom of the Sea
Credits: This episode’s music is 4th of July by Lori Carson. The conversation was recorded at the Virtual Memories Studio on a pair of Blue enCORE 200 microphones
Podcast: Readercon 2013 – Fairies and Zombies
Virtual Memories – season 3 episode 15 –
Readercon – Fairies and Zombies
Podcast: Play in new window | Download
Subscribe: Spotify | TuneIn | RSS | More
It’s time for a two-part mega-podcast! I visited the 24th annual Readercon, conference on literary fantasy & science fiction (or “imaginative literature,” as it’s known) in Burlington, MA in July, and came back with a ton of interviews! Readercon is a fantastic (ha-ha) event, with great programming, a good booksellers’ hall, and lots of fun conversation; you should make a point of attending it if your tastes run toward the authors who come up in this and the following episode.
I (not-so-wisely) conducted five interviews in one day so, rather than make a 3-hour episode, I decided to split them up between boys and girls. This time around you get interviews with authors John Crowley and Scott Edelman!
“The big books I’ve written have never had a genre at all. They were certain kinds of fictional possibilities that interested and intrigued me and that I wanted to try to achieve. I wouldn’t say there’s an awful lot in Little, Big that’s realistic, but there’s plenty that was based on my daily experiences of life in New York City.”
–John Crowley
John Crowley is the author of Little, Big (or, The Fairies’ Parliament), which I consider one of the greatest novels of the 20th century. I’d known about it for a long time, but only read it a few years ago, after learning that my wife has been re-reading it every year or two since it came out in paperback in 1983 or thereabouts. You should go read it now
I talked with Mr. Crowley about readers’ devotion Little, Big, the problems he faced in writing it and how surmounting them opened the doors to his subsequent books, how the fantasy genre developed during the course of his career, what his favorite imaginary books are, why I felt unprepared for our conversation despite having read six of his novels, and what it was like to write copy for Maidenform bras when he was starting out.
“One of the most amazing things about writing to me is that, even though you’ve read, and heard, and seen thousands of stories, when you sit down to write one, you have no idea how to begin!”
–John Crowley
Even if you haven’t read Little, Big, you’ll find this a fascinating conversation about the writing process, literary reputation, and what it means to tell a story!
“You have to write the things you love. They have to be extremely important to you, to give you that tingle when you read them. Because if you’re not moved by it, I don’t see how anyone else is going to be moved by it. . . .”
–Scott Edelman
Then I talk with Scott Edelman, a longtime writer, editor and Con-goer, about his zombie-fiction, being an editor at Marvel Comics in the 1970s, his storytelling tips and his pros and cons of workshops, whether he pays attention to literary markets, what Readercon means to him, and what it was like to move from one side of the convention table to the other.
“Why zombies? Because zombies are the closest we’ll ever see to what we’ll really become. Because there’ll be that day when we’re all walking husks without memory.”
–Scott Edelman
Podcast: Play in new window | Download
Subscribe: Spotify | TuneIn | RSS | More
Enjoy the conversations! Then listen to part 2 of our Readercon conversations with Theodora Goss, Valya Dudycz Lupescu, and Nancy Hightower. Meanwhile, check out the archives for more great episodes!
Related episodes:
- Theodora Goss, Valya Dudycz Lupescue and Nancy Hightower (Readeron part 2)
- Paul Di Filippo
- Michael Dirda
- Craig Gidney
- Kyle Cassidy
Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!
About our Guests
John Crowley lives in the hills above the Connecticut River in northern Massachusetts with his wife and twin daughters. He is the author of Little, Big
Scott Edelman has published more than 75 short stories in magazines such as Postscripts, The Twilight Zone, Absolute Magnitude, Science Fiction Review and Fantasy Book, and in anthologies such as The Solaris Book of New Science Fiction, Crossroads, MetaHorror, Once Upon a Galaxy, Moon Shots, Mars Probes, Forbidden Planets. His poetry has appeared in Asimov’s, Amazing, Dreams and Nightmares, and others. What Will Come After
Credits: This episode’s music is Fairy Tales by Style Council. Both conversations were recorded in a room at the Burlington Marriott on a pair of Blue enCORE 200
Podcast: Highest Learning
Virtual Memories – season 3 episode 12 – Highest Learning
Podcast: Play in new window | Download
Subscribe: Spotify | TuneIn | RSS | More
Your humble(ish) host just made his annual Piraeus pilgrimage to St. John’s College in Annapolis, MD, this time to participate in a four-day seminar about Moby Dick . . . and score a great interview! I managed to get legendary tutor Eva Brann (above) to take a break from her crazy schedule and sit down for a 45-minute conversation about the college’s Great Books program and how she’s seen it change (and stay the same) in her FIFTY-SEVEN YEARS at the school. We also talk about the value of a liberal arts education, the one novel she’d add to the St. John’s curriculum, the need professors have to profess (and why St. John’s has tutors instead of professors), her swoon for Odysseus, her desert island book, her one criterion for a great novel, where she sees the school going in the next fifty-seven years, the Dostoevsky-or-Tolstoy debate, and more, including a boatload of questions I solicited from alumni! It’s a fascinating conversation with one of the most learned people in the world.
And then Ian Kelley, a St. John’s student from 1993, talks about his experience at the college, what brought him there, what he learned about himself and the Great Books, and how his Annapolis experience influenced his decision to join the U.S. Navy. Ian’s a longtime pal and is the first guest to appear in the non-famous Virtual Memories Library (pictured, with dog, who occasionally sighs and grunts during the podcast).
Podcast: Play in new window | Download
Subscribe: Spotify | TuneIn | RSS | More
Enjoy the conversations! Then check out the archives for more great talk!
Related episodes:
Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!
About our Guests
Eva Brann has been a tutor at St. John’s College in Annapolis, MD since 1957 and served as dean there from 1990 to 1997. Ms. Brann is the author of Homeric Moments: Clues to Delight in Reading the Odyssey and the Iliad
Ian Kelley is a proud 1997 graduate of St. John’s College in Annapolis, MD, and an avid motorcyclist, traveler and reader. He trusts Gil Roth to keep him smart and honest. Ian and his wife, Jessica, live in Fallon, NV.
We previously interviewed St. John’s College tutors David Townsend and Tom May, so you should check those out! For more information about St. John’s College and the Great Books program, visit its site.
Credits: This episode’s music is Wonderful World by Sam Cooke. The conversation was recorded at the home of Eva Brann on a pair of Blue enCORE 200
