Library of America was having a 20% off sale a few weeks ago. Also, they discount the books on their site AND they’re a non-profit doing the Lord’s work, so I kinda splurged.
If necessary, I can explain myself:
- Thoreau – Walden – I never read it, and there’s a seminar on it this May at St. John’s College.
- Dos Passos – USA trilogy – I never read it and who knows?
- Saul Bellow – They were selling all 4 collections of Saul Bellow’s novels as a group for $115 (before the 20% discount), and I figured I need to add more heft to my 20th century Jewish writers shelf, alongside Philip Roth, Bruce Jay Friedman, Bernard Malamud, Joseph Heller and James Salter (nee Horowitz).
- Susan Sontag – Essays of the 1960s & 70s – I never read her, and really have to correct that.
- Philip Roth – Nemeses (novels 2006-2010) – I own these books separately, but I have the rest of the Roth L.O.A. collections, and I’m a completist.
- Writing Los Angeles: A Literary Anthology – it was only $9.95, and I’m now interested in LA after a my trips there this year.
Why don’t you come by and check out the library sometime? And go buy some books from the Library of America!
“Zweig was immersed in the problem of the disjunction between our grand desires for the kind of life we dream we should be living and the actual circumscribed canvas on which we must operate.”
At his peak, Viennese author Stefan Zweig was one of the most widely read authors in the world. How did he and his wife end up in a double-suicide in a bungalow in Petropolis, Brazil? George Prochnik joins us to talk about his new biography, The Impossible Exile: Stefan Zweig at the End of the World (Other Press). We discuss the arc of Zweig’s exile, why Zweig remains important to our age (both in his writing and in his character), how he lost his belief in the power of bildung, the fleetingness of fame and the accident of survival, the role of education in changing political dynamics, the contemporary revival of Viennese culture, the reason why Zweig fled New York City, and more!
“I think he felt that the more we have to produce official documents to indicate who we are, the more we are reduced to that strip of paper.”
We also talk about our respective introductions to Zweig’s work, the ways that his final novella may be an allegory for Vienna, the danger of looking for clues to Zweig’s suicide in his writing, and how he may have been the inspiration for Woody Allen’s Zelig. Give it a listen! Go pick up a copy of The Impossible Exile: Stefan Zweig at the End of the World! And check out my Zweig-shelf!
About our Guest
George Prochnik’s essays, poetry, and fiction have appeared in numerous journals. He has taught English and American literature at Hebrew University in Jerusalem, is editor-at-large for Cabinet magazine, and is also the author of In Pursuit of Silence: Listening for Meaning in a World of Noise and Putnam Camp: Sigmund Freud, James Jackson Putnam and the Purpose of American Psychology. He lives in New York City.
Credits: This episode’s music is Brazil by The Coasters. The conversation was recorded at Mr. Prochnik’s home on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Prochnik by me.
“In the late 1970s, I wanted to write against the grain, so I wrote about a marriage that lasted a long time, with all the strife and stresses.”
Novelist, essayist, poet, short story writer, and translator Lynne Sharon Schwartz sat down with me to talk about her newest essay collection, This Is Where We Came In: Intimate Glimpses (Counterpoint), but we talked about a lot more in our hour! Listen in to learn how she and her husband began recording literary readings by authors like James Baldwin, Philip Roth, John Updike, William Styron in the ’60s, and how they’ve re-launched those recordings. We also discuss how second-wave feminism convinced her to pursue a writing career, how her ear for music influences her writing, why she swears by audiobook reader David Case, and how Margaret Atwood once dropped the boom on Norman Mailer. Give it a listen!
“Although I identify with feminism, my literary tastes don’t divide into men and women; it’s the ones who are concerned with language and delight in language, rather than their gender, that I read.”
We also talk about her love of digressive essays, the joys of translation, her travel-anxiety, the difficulty in getting a book of essays published, why W.G. Sebald is one of her favorite authors, and how — kinda like last week’s guest, Caitlin McGurk — she got involved in bringing back lost women writers.
About our Guest
Lynne Sharon Schwartz is the author of more than 20 books, including novels, short story collections, non-fiction, poetry, and translations. Her new essay collection, This Is Where We Came In: Intimate Glimpses, was just published by Counterpoint. Her first novel, Rough Strife, was nominated for a National Book Award and the PEN/Hemingway First Novel Award. Her other novels include The Writing on the Wall; In the Family Way: An Urban Comedy; Disturbances in the Field; and Leaving Brooklyn (Rediscovery), nominated for the PEN/Faulkner Award. She and her husband Harry have launched Calliope Author Readings, which offers lovers of literature a rare opportunity to hear great 20th century American authors interpreting their own works. Ms. Schwartz has received grants from the Guggenheim Foundation, the NEA, and the New York State Foundation for the Arts. Her stories and essays have been reprinted in many anthologies, including The Best American Short Stories, The O. Henry Prize Stories, and The Best American Essays. She has taught writing and literature at colleges and universities in the U.S. and abroad. She lives in New York City.
Credits: This episode’s music is Gladiolas by Scott Joplin. The conversation was recorded at Ms. Schwartz’s home on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Schwartz by me.